: LA PINTURA DE MANET: 60 pp. 20 x 13 cm. Rústica con solapas. Castellano. Alpha, bet & gimmel. IMPORTANTE. Lea Nuestras Condiciones. Available now at – ISBN: – Rústica – ALPHA DECAY, Barcelona – – Book Condition: New – 1. – Nuevo. La pintura de Manet by Michel Foucault at – ISBN – ISBN – Fondo De Cultura Económica –

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Omar rated it liked it Feb foucajlt, In the s Foucault was associated with structuralism, a movement from which he distanced himself. Foucault used Manet as a basis for a wider exploration of culture. It doesn’t strike me as a major contribution to the study of either aesthetics or ideas, but it is a lecture I know I would have enjoyed in person.

This book was a speech that Foucault did as a seminar on Manet. Be the first to ask a question about Manet and the Object of Painting. Unfortunately, it is not always clear what he would have been pointing at when he makes a specific reference, and pintrua the book is pleasant to hold in the hand its reproductions are not always up to the task.

Foucault’s interest, however, is in how Manet “made possible all the painting after Impressionism, all the painting from which contemporary art developed.

Refresh and try again. Derek Brown rated it really liked it Jan 10, No trivia or quizzes yet.

File:Foucault Michel La pintura de – Monoskop

Niusha Derakhshan rated it liked it Aug 31, Thanks for telling us about the pinturz. Finally one day we can get rid of representation itself and allow space to play with its pure and simple properties.

foucajlt I feel that painters and art historians up to this point had all ready explored and written about Manet’s flatness, the displacement of the viewer, and the recognition of painting as a 2D object rather than an illusory window. Dec 22, Joja rated it really liked it.


Manet and the Object of Painting

Yury Akseenov rated it it was amazing Jan 23, Emilie rated it liked it Feb 02, Transcript of Foucault’s interesting illustrated lecture offering a concise introduction to Manet’s formal innovations to which arguably all subsequent paintings owe a debt.

But since reading this beautifully designed slim book by Michel Foucault, I now see him in a new light. Ilias Piperis rated it liked it Dec 09, Der Aufsatz in der Merve-Edition ist eigtl. Goodreads helps you keep track of books you want to read. This book is not yet featured on Listopia.

Jun 17, Roger Brunyate rated it really liked it Shelves: Michel Foucault was a French philosopher, social theorist and historian of ideas. Lists with This Book. Compared to his other writings, this is very much a book you can read on a good bus ride from Downtown L. I love Foucault and Manet, and I was excited to find that this book existed when I came across it at the Barnes Collection bookstore, but janet lecture d not interesting either in terms of art history or philosophy. His writings on power, knowledge, and discourse have been widely influential in academic circles.

I noticed it for a second and then moved on to the other room. He dejado de odiar a Manet.

To ask other readers questions about Manet and the Object of Paintingplease sign up. Open Preview See a Problem? For the political-minded philosopher, the connection between visual art and power was clear: He’s looking at the artwork from a totally different angle, which of course makes it an unique study on an artist’s work. In this encounter between one of the 20th century’s greatest minds and an artist fundamental to the development of modern art, French philosopher Michel Foucault explores Edouard Manet’s importance in the overthrow of traditional values in painting.

Originally delivered in Tunis in as part of a conference on Manet and here translated into English for the first time, this powerful critique takes the form of a commentary on 13 of Manet’s paintings. The thing I like about it is that Foucault is not an art reviewer or someone from that world.


But for those who want to take a fresh look at the artist through the eyes of one of the great thinkers of his time—especially in this rare mode of functioning as an amateur without theories or jargon—this thin book roucault a refreshing and thought-provoking sorbet. Timothy rated it really liked it. Michele rated it really liked it Jun 27, Desde el Quattrocento uno de los movimientos fundamentales de toda pintura era la de desaparecer la materialidad misma que sustentaba el cuadro, hacer olvidar que al final todo estaba en una pared, un lienzo.

No es en absoluto un trabajo esencial sino para aquellos profundamente interesados en Manet o aquellos que buscan embutirse todo el corpus foucaultiano. Through brief but cogent analysis of thirteen of Manet’s paintings, he emphasizes such things as the artist’s compression of depth, his structural repetition of the verticals and horizontals of the picture frame, his non-traditional use of lighting, and his interest—for example in the Gare Saint Lazare Washington, —3 —in having people look simultaneously out of the picture and into d at the same time.

Just a moment while we sign you in to your Goodreads account. While I agreed with a lot of his observations, I found the majority of them unoriginal. Srimanta Mitra rated it really liked it Sep 23, The thing I like about it is that Foucault is not an art reviewer or someone from that Manet, to me, is sort of like wallpaper. Return to Book Page. With a new introduction ofucault leading French critic and Tate curator Nicolas Bourriaud and a note on the translation by Matthew Barr, this is a major contribution to the fields of both modern philosophy and art history.